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Review
“Orcutt successfully argues that the who, the how, and the why of an exhibition are just as important—perhaps more so—than the contents. Indeed, this is where an exhibition’s power and posterity lies.”—Elizabeth Meinke, ARLIS/NA Reviews“Kimberly Orcutt has written an exhaustive history of Philadelphia’s 1876 Centennial Exhibition and its ‘Centennial moment.’ Making use of a treasure trove of understudied primary sources, she presents an illuminating picture of the event while offering an in-depth analysis of the complicated cultural politics undergirding American art at the time. Informed by a museum studies perspective, this book will also offer a new methodological approach for our thinking about the fair.”—Melissa Dabakis, author of A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome“Impressively researched and lucidly argued, Kimberly Orcutt situates the art display at Philadelphia’s Centennial Exhibition of 1876 within broader discourses about Reconstruction, the shift to cosmopolitanism, and the rise of museum culture in the postbellum era. Power and Posterity is a valuable contribution to scholarship on American art and cultural history and adds to the rich and growing literature on world’s fairs in the United States.”—Sarah Moore, author of Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915“Power and Posterity is the first study to investigate in depth the planning and staging of the Centennial Exhibition of 1876, as well as the full range of official, popular, and private responses to this widely attended and well-publicized event. Orcutt has orchestrated these accounts into an absorbing analysis of the ongoing critical debate over nationalism versus internationalism that reflected changes in American taste and culture.”—Linda Ferber, Senior Art Historian and Museum Director Emerita, New-York Historical Society“A richly detailed, satisfying visual, cultural, and historical account of American art at Philadelphia’s Centennial Exhibition of 1876. . . . Power and Posterity makes a significant contribution to the understanding of the American art on view at this signal event of the 19th-century (art) world. Highly recommended.”—J. Decker, Choice
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About the Author
Kimberly Orcutt is Andrew W. Mellon Curator of American Art at the Brooklyn Museum.
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Product details
Hardcover: 296 pages
Publisher: Penn State University Press; 1 edition (December 12, 2017)
Language: English
ISBN-10: 0271078367
ISBN-13: 978-0271078366
Product Dimensions:
9 x 1.1 x 10 inches
Shipping Weight: 3.4 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#1,832,187 in Books (See Top 100 in Books)
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